Cannes
Monday, May 23rd, 2005I was in Cannes with a short film. As a producer I got to see the movies in the competition. This is what i saw between frequent beach breaks:
1. Don't Come Knocking (Wim Wenders)
Did Wim Wenders really think he would win a price with this pathetic road movie attempt? His romantic fascination with America and the american myth bores me to death.
2. Der Schläfer (Benjamin Heisenberg)
A young scientist who is about to start his new job at some institute is asked by the secret service to spy out his muslim colleague who is under suspicion of being a terrorist. The two become friends, but also fall in love with the same girl. I liked the film. It could have been a bit quicker though.
3. Caché (Michael Haneke)
Fortunately the film wasn't as tough as "Funny Games" another film by Haneke that shows a family getting terrorized. In "Caché" talk show host guy receives anonymous video recordings of his house, himself and his family. It becomes clear that there is a connection to his childhood. As a 6 year old he played a mean trick on another kid who his parents were planing to adopt after that kid's parents had died. Brilliant Film.
4. Manderlay (Lars von Trier)
I just loved the comment of an american filmmaker who seemed almost disturbed by von Trier: "This is not how America is". Well, why don't you just go knocking?
When I saw the movie, I was at first a bit annoyed, because the "stage" seemed not quite as reduced as in "Dogville" and reminded more to a theatre stage. However, this kind of formal critique seems totally out of place. The film works on every level. It is incredible how Lars von Trier manages to touch central questions of power and identity and how he shows how fragility of the concept of truth. Lars von Trier is in a league of his own.
5. Short films in the competition.
There was only one I liked – and it didn't win the price. "Before Dawn" by the hungarian director Bálint Kenyeres is a one shot film of a scene that takes place on a hillside in eastern europe. A truck with illegal migrants gets busted. Very skillful and one of the few that did not try to tell a feature film like narrative compressed into 15 minutes.
"Nothing Special" by Helena Brooks was quite funny, maybe a bit over the top (but that was a deliberate choice). All other films I thought were quite boring, "Schijn van de Maan" by Peter Chesquiere needs to be mentioned as being annoying, embarrassing even.

There is no mission statement for this blog. “Works & Interventions” contains a selection of artistic experiments from more than a decade. Some of them were done with collaborators. I produce a relatively small amount of work of that kind and I don't write blog entries every day (Mostly in English, sometimes in German).